A touch of San Fran psychedelic art lightens up this poster the way that flames light up churches in Răscoala, a Romanian film that highlights the struggle between rich and poor, religious and sectarian. A simple poster from Raymundo with a major contrast between the understated graphics of the church and the dramatic and in your face flames.
Tuesday, 21 February 2012
Sunday, 19 February 2012
Asela Perez's classic design for this OSPAAAL poster looks like it was designed as a silkscreen with simple flat colours and shapes. The Cuban government believed that revolution would occur throughout Latin America, mirroring the experience of Cuba, and the design of this poster presents a unified continent, its power represented in the clenched fist and the revolutionary spirit in the rifle, held aloft. This classic image has been reused in a number of other Cuban posters.
Bachs' poster for this 1957 Japanese production features his trademark style to illustrate the tyrannical military officer at the centre of the film. Los Hermanastros (Stepbrothers) is a critique of male dominated Japanese society. The poster artwork is restrained yet creative, using limited colours and shapes to illustrate the aggressive face of the protagonist and the bright colours of his outfit.
Here's a great poster for the 1964 Japanese film Three Outlaw Samurai (Sanbiki No Samurai) featuring wandering warrior Shiba defending the poor from the evils of the taxman. The playful artwork by Nico is typical of good silkscreen printing - using a few bold colours and simple shapes to create a bold and colourful design. The typography is typical of the late 60s and as usual with Cuban posters when the words don't fit on a single line they carry on to the next.
Londres a Go-Go is The Sandwich Man, an odd British film from 1966 featuring a man who carries an advertising board round London witnessing a series of strange goings on. Reboiro's artwork is pretty and vibrant featuring a slightly psychedelic package, but doesn't relate to the plot of the film which centres around a model reunited with her boyfriend. This is still a nice poster and may well be an example of a Cuban poster design that was done without the artist actually seeing the film.